Vive y trabaja en NY
Guy Richards Smit realiza vídeos, acuarelas y escribe canciones para su banda Maxi Geil and Playcolt Ha exhibido sus obras con la galeria FRED [London], en el stand de Arco Art Fair (Madrid) y en museos como: Indiana Museum of Contemporary Art (Indianapolis, USA), Museum of Modern Art (New York), G-Module (Paris), Aeroplastics (Brussels, Belgium), el MOMA Media Scope, Museum of Modern Art (New York.) Ha recibido becas de creación como el MAT Charitable Foundation Grant en el 2003 y el Penny McCall Foundation Grant.
| Exposiciones individuales | |
| 2008 | Solo Presentation with FRED [London], Arco Art Fair, Madrid |
| 2007 | Roebling Hall, New York FRED [London] |
| 2006 | QED, Los Angeles |
| 2005 | FRED [London] Nausea 2, Sketch, London Nausea 2, Roebling Hall, New York Nausea 2 (exhibition and screening), Indiana Museum of Contemporary Art, Indianapolis, USA |
| 2004 | Nausea 2 (screening), Premier Series, Museum of Modern Art, New York Here Comes Maxi, G-Module, Paris |
| 2003 | Aeroplastics, Brussels, Belgium A Message to my Audience, Satellite (a division of Roebling Hall), New York |
| 2002 | MOMA Media Scope, Museum of Modern Art, New York Angstrom Gallery, Dallas, Texas Team Gallery, New York |
| 2001 | I’m Mean Because I Like You, Voorkamer, Lier, Belgium Nylon Gallery, London |
| 2000 | The Ballad of Bad Orpheus, Roebling Hall, Brooklyn, NY I’m Mean Because I Like You, Sara Meltzer, New York Havana Biennial, Official Video Selection, Havana, Cuba |
| 1995 | Thicket Gallery, New York |
| Exposiciones colectivas | |
| 2008 | NY/LA, Gallery Barry Keldoulis, Sydney, Australia Import/Export: Painting from the USA and UK, FRED Leipzig |
| 2007 | No Future, Bloomberg SPACE, London The Weasel: Pop Music and Contemporary Art, South London Gallery, London Ceci N’est Pas…, (curated by Rachel Gugelberger and Jeffrey Walkowiak), Sara Meltzer Gallery, New York Idiot Joy Showland, (curated by John Pilson), IFC, New York |
| 2005 | Predatory Dating on the Crosstown Bus (curated by Guy Richards Smit), Champion, Los Angeles International Painting on Paper, GBK Gallery, Sydney |
| 2004 | Me, Myself & I, Schmidt Gallery, Florida Atlantic University, Boca Raton, Florida Me, Myself & I: Video Remix, The Living Room, Miami, Florida Bush League, Roebling Hall, Brooklyn, New York What's Love Got To Do With It?, Tucson Museum of Art, Arizona I’ve Met Someone Else, Monya Rowe Gallery, New York Music/Video, Bronx Museum of Art, Bronx, New York |
| 2003 | Terrible Beauty, Satellite (a division of Roebling Hall), New York B-List: Brooklyn, Angst and Desire, Hallwalls, Buffalo, New York |
| 2002 | 4 Brooklyn Artists, Filles du Calvaire, Paris Wonderland, Aeroplastics, Brussels Not Quite Myself Today, ASU Art Museum, Tempe, Arizona |
| 2001 | Crossing the Line, Queens Museum of Art, New York The Artist’s World, CCAC Institute, Oakland, California Palm Beach Institute of Contemporary Art, Lakewood, Florida Video Jam, Palm Beach Institute of Contemporary Art, Lakewood, Florida Biting Style and Spitting Image, Bass Museum of Art, Miami Beach, Florida Bienal de Valencia, Spain |
| 2000 | Four From Brooklyn, Legion Arts, Cedar Rapids, Iowa, USA Useful Indiscretions: (Works on Paper), Geoffrey Young Gallery, GT. Barrington, MA, USA Tomorrow, (curated by Andréa Salerno and Mari Spirito), Rare Gallery, New York |
| 1999 | Out of Order, Roebling Hall, Brooklyn, New York Cutting the Edge: New Film and Video, (curated by Susan Joyce), Grand Central Art Center, Santa Ana, CA, USA I’m the Boss of Myself, (curated by Sara Meltzer), essay by Amy Cappellazo, Sara Meltzer’s On View…, New York I’m A Virgin, (curated by Esther Windsor), The Waiting Room, Wolverhampton, UK Zones of Risibility, (curated by Carrie Cooperider), Rotunda Gallery, Brooklyn, NY Blueprint, (curated by Sebastian Bremer), Gallery Spark, New York |
| 1998 | BOWIE, Rupert Goldsworthy Gallery, New York Not Four Walls, The Anchorage, New York More Elvis than Elvis, Video Room Festival, New York HOST, (curated by Peter Lewis and Peter Fillingham), Tramway, Glasgow, UK Super Freaks: Post Pop & the New Generation Part 1 – Trash, Greene Naftali, New York |
| 1997 | Double Life, (curated by Esther Windsor), The Waiting Room, Wolverhapton, UK WhimSiecle, Peggy Guggenheim Collection, Venice A Home Show: Sitting Up Erect or Reclining, (curated by Mary Goldman), Berlin Big Blue, (curated by Francesca Ferguson), Berlin Don’t Try This At Home, Performance Videos at The Knitting Factory Video Factory, New York It’s a Wonderful World, (curated by Lithgow Osborne), Unfinished Gallery, Brooklyn, NY |
| 1996 | Unfinished Gallery Inaugural Show, Unfinished Gallery, Brooklyn, New York Album 2, (curated by Sebastian Bremer), 470 Broadway, New York |
| 1995 | Thicket on the Lamb, Thicket Gallery, New York 10 New York Artists, Nova Zemia Gallery, Den Bosch, Netherlands |
| Becas y premios | |
| 2003 | MAT Charitable Foundation Grant |
| 2002 | Penny McCall Foundation Grant |
